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It was his teenage love of cars that made Ive decide to become a designer. After leaving Newcastle, he went to work for Roberts Weaver group, the London design agency that had sponsored him through college.

When he left school, he checked out a few car-design courses in London, including one at the Royal College. He left a year later to join Tangerine, a new design agency in the capital’s Hoxton Square.

Ive spent his childhood taking apart the family’s worldly goods and trying to put them back together again.

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He talks constantly about his team or Jobs, using “we.” This is not “aw-shucks” false modesty or corporate-speak. Designing, engineering and making these products requires large teams,” he says.

Ive really does keep a low profile — or at least as low a profile as you’d expect one of the world’s most highly paid designers to keep.

We use Jonathan Ive’s products to help us to eat, drink and sleep, to work, travel, relax, read, listen and watch, to shop, chat, date and have sex. It had not rained properly in California for months but that morning the clouds rolled off the Pacific, turning the Golden Gate Bridge black.

Many of us spend more time with his screens than with our families. For years, Ive’s natural shyness, coupled with the secrecy bordering on paranoia of his employer, Apple, has meant we have known little about the man who shapes the future, with such innovations as the i Mac, the i Pod, the i Phone and the i Pad. Interstate 280 South to Silicon Valley was a river of water, instead of the usual lava streaks of stop-start SUVs.

You might think you’d recognize him if you passed him on the street, but you wouldn’t.

He’s not particularly tall, is well built and bald(ish), has two-day-old stubble and dresses like dads do on weekends — navy polo shirt, canvas trousers, desert boots.

He collects point’n’shoot cars — the kind that are hewn from a single block of aluminum. So he headed to Newcastle Polytechnic to study industrial design.

He has a few Bentleys and a natty 1960s Aston Martin DB4 in a silvery blue. His work there — notably a telephone and a hearing aid — was so good it was exhibited at the Design Museum in London.

With just a tiny white box with a scroll wheel, he put 1,000 songs in our pocket.

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